Anthony Hopkins is on hand to deliver lots of exposition. John Turturro literally phones in his performance while on holiday in Cuba. The human characters, such as they are, simply exist to give a sense of scale to the huge death machines. Robots punch, stab and shoot each other while growling dramatic-sounding yet meaningless phrases (вЂњTraitor!вЂќ, вЂњI am Optimus Prime!вЂќ), tonnes of churning, twisted metal falls from the sky, and yet more world monuments are sacrificed on BayвЂ™s blazing CGI altar. And Izabella, and her pet robot, and the Arthurian mythology, and Viviane, whoвЂ™s essentially Lara Croft out of Tomb Raider вЂ“ theyвЂ™re all garnish around the edges of what is essentially the same stuff Michael BayвЂ™s been peddling in these Transformers films for the past decade.

One robot character is even described as a вЂњC-3PO rip-offвЂќ вЂ“ a gag which may inadvertently give away the level BayвЂ™s working at here. But the storytellers overseeing all those expensive stunts and computer graphics couldnвЂ™t give a flying carrot about whether or not the plot makes sense or whether the audience suspends its disbelief. Yes, the VFX and stunt coordination is all spectacular, as weвЂ™d expect from a film of this scale. ItвЂ™s difficult to think of another film in recent memory where the director and writers have displayed such naked cynicism. Why donвЂ™t we throw in some magic and fantasy into the mix while weвЂ™re at it? Instead, Izabella feels like a character thrown in at the recommendation of focus group research: hey, Star Wars: The Force Awakens had a plucky heroine and a robot friend, so why canвЂ™t a Transformers movie? And Game Of Thrones вЂ“ thatвЂ™s pretty popular. Izabella and her rather charmless robot sidekick, Sqweeks were, we assumed, an attempt to address the puerile male gaze of BayвЂ™s previous Transformers films. WhatвЂ™s curious about The Last Knight is that it was billed for a while as something of a soft reboot for the long-running series. Most of the film is shot with close-ups or with handheld cameras, which in 3D IMAX creates a nausea-inducing kaleidoscope of eyes, fire, white teeth and flailing robot arms. There are baffling shifts of allegiance on the part of the robots. Generic US soldier William Lennox (Josh Duhamel) is now part of a defence force charged with hunting down robots, but then they make a deal with evil Decepticon, Megatron, to help retrieve that mystical staff everyone else is after. This is what watching the first 10 minutes of Transformers: The Last Knight is like.Д«eyond that, the filmвЂ™s events are hardly worth summing up. The lights on the fruit machine are flashing. A dog tied to a barstool barks ceaselessly.

A man behind the bar screams at an unbearable volume. But once inside, the whole establishment erupts into a dervish of violence: thereвЂ™s glass and beer flying everywhere. Imagine it this way: youвЂ™ve had a long, tiring day at work, and you decide to go the pub for a relaxing beer вЂ“ all the better to unwind and forget about the world for a couple of hours. His fifth film in the transforming alien robot franchise is so loud, obnoxious and confusing that is almost defies description. With Transformers: The Last Knight, however, BayвЂ™s brand of maximalist action blockbuster seems to have curdled into self-parody. ItвЂ™s all about as subtle as an air-raid siren. This will cycle between the three curve types: Linear (default), Quadratic, Cubic.Most of us are familiar with Michael BayвЂ™s filmmaking style by now: the frantic editing, the camera that wonвЂ™t keep still, the golden, perma-sunset lighting.Change a nodeвЂ™s curve type by double clicking on it.Add a node by double clicking anywhere along the curve.The pluginвЂ™s GUI will show a vertical line along the curve to indicate the last input value that was captured, and how it was transformed. Outputs the transformed values according to the selected output destination.Transforms those values using the specified transformation curve.Reads incoming MIDI values from the selected input source.To use the plugin, place it somewhere in your VST chain and select an input source from the top-left dropdown, as well as an output destination from the top-right dropdown.Дuring playback, the plugin works as follows: MIDI-Transformer allows you to transform and reroute incoming MIDI signals.

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